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edited by Matt Hills

web design: Sara Gwenllian Jones


Linda C. Badley, Spiritual Warfare: Postfeminism and the Cultural Politics of the Blair Witch Craze

Kate Egan, The Amateur Historian and the Electronic Archive: Identity, Power and the Function of Lists, Facts and Memories on “Video Nasty”-Themed Websites

Stephen Harper, “They’re Us”: Representations of Women in George Romero’s ‘Living Dead’ Series

Steven Jay Schneider, Murder as Art/The Art of Murder: Aestheticising Violence in Modern Cinematic Horror


Debates and reviews:

I.Q. Hunter, Even Baser Instincts: Notes on Hollow Man

Book reviews:

Philip Auslander reviews In the Houses of the Holy: Led Zeppelin and the Power of Rock Music by Susan Fast

Francis Bonner reviews Fantasy Girls: Gender in the New Universe of Science Fiction edited by Elyce Rae Helford

Kathrina Glitre reviews Comedy is a Man in Trouble: Slapstick in American Movies by Alan Dale

Mark Jancovich reviews The Horror Genre from Beelzebub to Blair Witch by Paul Wells

Luca Prono reviews Capital, Class and Technology in Contemporary American Culture: Projecting Post-Fordism by Nick Hefferman

Debra Benita Shaw reviews Science Fiction Before 1900: Imagination Discovers Technology byPaul K. Alkon

Leon Smith reviews Art of Darkness: the Cinema of Dario Argento edited by Chris Gallant

Richard Smith reviews Critique of Exotica: Music, Politics and the Culture Industry by John Hutnyk

Susana P. Tosca reviews Performing the Force: Essays on Immersion into Science Fiction, Fantasy and Horror Environments edited by Kurt Lancaster and Tom Mikotowicz

Eva Vieth reviews Looking at Life Magazine by Erika Doss

Paul Ward reviews Faking It: Mock-Documentary and the Subversion of Factuality by Jane Roscoe and Craig Hight

Sharon Wheeler reviews Saints and Avengers: British Adventure Series of the 1960s by James Chapman



| contents | board | submissions | resources | archive |