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Articles:
Linda C. Badley, Spiritual Warfare: Postfeminism and the Cultural Politics of the Blair Witch Craze
Kate Egan, The Amateur Historian and the Electronic Archive: Identity, Power and the Function of Lists, Facts and Memories on “Video Nasty”-Themed Websites
Stephen Harper, “They’re Us”: Representations of Women in George Romero’s ‘Living Dead’ Series
Steven Jay Schneider, Murder as Art/The Art of Murder: Aestheticising Violence in Modern Cinematic Horror
Debates and reviews:
I.Q. Hunter, Even Baser Instincts: Notes on Hollow Man
Book reviews:
Philip Auslander reviews In the Houses of the Holy: Led Zeppelin and the Power of Rock Music by Susan Fast
Francis Bonner reviews Fantasy Girls: Gender in the New Universe of Science Fiction edited by Elyce Rae Helford
Kathrina Glitre reviews Comedy is a Man in Trouble: Slapstick in American Movies by Alan Dale
Mark Jancovich reviews The Horror Genre from Beelzebub to Blair Witch by Paul Wells
Luca Prono reviews Capital, Class and Technology in Contemporary American Culture: Projecting Post-Fordism by Nick Hefferman
Debra Benita Shaw reviews Science Fiction Before 1900: Imagination Discovers Technology byPaul K. Alkon
Leon Smith reviews Art of Darkness: the Cinema of Dario Argento edited by Chris Gallant
Richard Smith reviews Critique of Exotica: Music, Politics and the Culture Industry by John Hutnyk
Susana P. Tosca reviews Performing the Force: Essays on Immersion into Science Fiction, Fantasy and Horror Environments edited by Kurt Lancaster and Tom Mikotowicz
Eva Vieth reviews Looking at Life Magazine by Erika Doss
Paul Ward reviews Faking It: Mock-Documentary and the Subversion of Factuality by Jane Roscoe and Craig Hight
Sharon Wheeler reviews Saints and Avengers: British Adventure Series of the 1960s by James Chapman
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